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Author Topic: What songs would you like to see Spiers and Boden or Bellowhead cover???  (Read 24230 times)
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ladydetemps
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« Reply #165 on: Wednesday, October 14 2009 10:40AM BST »

Now Sleeps The Crimson Petal
http://www.amazon.co.uk/Vanity-Fair-Various-Artists/dp/B0002JU1GC/ref=sr_1_1?ie=UTF8&s=music&qid=1255341432&sr=8-1
http://en.wikipedia.org/wiki/Now_Sleeps_the_Crimson_Petal
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Its gotta be rock n roll folk music if you wanna dance with me
squeeezebox hero
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« Reply #166 on: Thursday, October 29 2009 07:49PM GMT »

the devil went down to Georgia that would sound amazing on a Helicon! aemo_blw
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morris dancing and melodeon playing is the cooliest!
ladydetemps
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« Reply #167 on: Friday, January 29 2010 02:18PM GMT »

Glen Miller - In the mood
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Its gotta be rock n roll folk music if you wanna dance with me
ScallyAnglo
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« Reply #168 on: Friday, January 29 2010 10:03PM GMT »

the devil went down to Georgia that would sound amazing on a Helicon! aemo_blw
OOoooo Yes Grin This was the first Americana southern folkie tune that really grabbed my attention. The 'demons' in the string section could battle it out, or maybe they would all have a go -Fantastic!
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Scots Guy in Wales
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« Reply #169 on: Monday, February 1 2010 10:16PM GMT »

I'd love to hear Bellowhead work out a version of Stravinsky's The Soldier's Tale. Instrumentation is quite similar although only a septet. I mentioned this to Brendan very briefly at the merch stall at Pontardawe, he didn't laugh or fall over. It wouldn't go well on a normal gig though.

Andrew
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Stephenw
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« Reply #170 on: Monday, February 1 2010 11:00PM GMT »

I'd love to hear Bellowhead work out a version of Stravinsky's The Soldier's Tale. Instrumentation is quite similar although only a septet. I mentioned this to Brendan very briefly at the merch stall at Pontardawe, he didn't laugh or fall over. It wouldn't go well on a normal gig though.

Andrew

Hi Andrew, welcome to the forum.

That's an excellent suggestion. Perhaps for a Southbank gig? The astringency of Stravinsky would really work with the Bellowhead line-up. I'd also like some Weil or Eisler arrangements too.
« Last Edit: Monday, February 1 2010 11:29PM GMT by Stephenw » Logged

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maureen
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« Reply #171 on: Monday, February 1 2010 11:07PM GMT »


[/quote]

 The astringency of Stravinsky
[/quote]

That's easy for you to say.....
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sarahfairy
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« Reply #172 on: Wednesday, February 3 2010 08:34PM GMT »

the devil went down to Georgia that would sound amazing on a Helicon! aemo_blw
OOoooo Yes Grin This was the first Americana southern folkie tune that really grabbed my attention. The 'demons' in the string section could battle it out, or maybe they would all have a go -Fantastic!

I love that song
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Ancient Muse
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« Reply #173 on: Wednesday, February 3 2010 09:07PM GMT »

Oh yes! I think they could make a real dandy fist of that one!  aemo_banjo aemo_fiddle aemo_fiddle
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« Reply #174 on: Wednesday, February 24 2010 01:22AM GMT »

Reasons To Be Cheerful Part 3 originally by Ian Dury and the Blockheads.

I could imagine Pete having lots of fun with the intro and plenty of room for squeezebox, string and brass arrangements around a fabulous lyric.

Why don't you get back into bed? Why don't you get back into bed? Why don't you get back into bed?                 Reasons to be cheerful. One. Two. Three.
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To jump up and down whilst clapping; trumpet optional
pete flood
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« Reply #175 on: Sunday, May 30 2010 04:15PM BST »

I'd love to hear Bellowhead work out a version of Stravinsky's The Soldier's Tale. Instrumentation is quite similar although only a septet. I mentioned this to Brendan very briefly at the merch stall at Pontardawe, he didn't laugh or fall over. It wouldn't go well on a normal gig though.

Great idea. I MD'ed and percussed in a puppetry version at the Southwark Playhouse and BAC back in 2000. Andy played trumpet. We'd have to keep the bassoon and double bass - they're pretty key to the balance of the ensemble (and even if we did want to re-orchestrate them it's still under copyright, and in my experience publishers are notoriously sniffy about letting people mess with the great opuses of their composers, unless you soothe their conscience with wads of cash). But it's a piece that works best roughshod, as tiny Igor envisaged it, rather than in a concert hall with a conductor and a celeb narrator - a shoe-in for us then!
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